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LINEmix7 (mixed by Richard Chartier)
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LINE Los Angeles, California
Richard Chartier's LINE publishes editions documenting compositional & installation works by international sound artists & composers exploring the aesthetics of minimalism.
If you like LINEmix7 (recordings from the LINE label 2000-2022), you may also like:
Direct.Incidental.Consequential (1998)
by RICHARD CHARTIER
supported by 15 fans who also own “LINEmix7 (recordings from the LINE label 2000-2022)”
Just catching up with this after a long time coming, making more sense now. Not an easy one to grok.
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Everywhere at the end of time
by The Caretaker
supported by 15 fans who also own “LINEmix7 (recordings from the LINE label 2000-2022)”
I first listened through this a couple years ago, and I don't know why I hadn't bought it until now. Regardless, I think everyone should listen through this in its entirety at least once, the best way I can describe it is beautifully haunting. I'm sure my favorite track will keep changing forever, too.
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supported by 11 fans who also own “LINEmix7 (recordings from the LINE label 2000-2022)”
Who would have imagined Federico Durand as an appearance here (Third Dream)? The collaboration is enchanting. Federico has a way with abstract but deceptively simple, nearly melodic single note patterns. That combined with Stephan’s multilayered drones…it just works at every level.
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Music For Pictures No.2
by Kamran Sadeghi
These evocative pieces by composer Kamran Sadeghi use disquiet and dissonance to open imaginary cinematic worlds.
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Work of Progress & Etudes
by J.Lynch
J.Lynch (aka Thirty Pounds of Bone) plays with organic elements, including prepared piano, against electronics to impressionistic effect.
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The 17 mindbending songs on this compilation represent minimalist experimental music at its best, a collage of blips and static.
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Central (for M.Vainio)
by RICHARD CHARTIER
supported by 11 fans who also own “LINEmix7 (recordings from the LINE label 2000-2022)”
I saw them in the early-ish days (speed ranch and masonna same night) a long time ago at the garage in london. I think they were then Panasonic’. Brutally loud and we were used to that but a very physical sound flexing the room , my brother had a near nervous breakdown and wanted to leave. Definitely a sign of a good night musically, he survived and still talks about it all these years later as one of the best experiences musically even though we’ve seen a lot since, nothing compared.
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